The Whining Stranger on Politics and Current Events: On 9/11

Given my profession, it's no surprise that I believe art and literature have a messianic propensity for salvation--or at least for offering the understanding of experience, the shaping of chaos into form, that seems to offer salvation as we stumble through our lives. Today I try to remember my early reactions to that tragic morning, five years ago. The disbelief that clouded my early day as I watched mass murder on television. The uncertainty that seemed to hover in the air in the weeks that followed.

This, of course, was all before insidious politicians tried to shape circumstance for me. It preceded the appropriation of grief to encourage a blind faith in unjustified violence. Before garish magnetic ribbons on the backs of gas-guzzling vehicles criss-crossing the empire's highways.

Five years later, one of the best responses to 9/11 is still one of the earliest: Toni Morrison's poem, "The Dead of September 11," which I first read in Vanity Fair around November of that weighty autumn. Read it and think about Morrison's compassionate response, and how it makes so much more sense--it shapes the chaos so much more efficiently--than so much of the nonsense that's followed in the half-decade since.